Sometime ago, I had a class assignment to read Virginia Woolf’s “The Death of the Moth”.
It was around the time I finally had enough of that one tattered People magazine in my bathroom. So I was pretty excited about having a new intellect material to update my look. I’m aiming for a sexy-bookish persona.
What’s more, I actually know Nicole Kidman Virginia Woolf! She was that writer who was depressed and who eventually killed herself, an event that may or may not be related to her nose.
One fine day, I took the book to work so I could read it during lunch at the Boston Public Garden just across the road from the office. (The perfect place for a sexy bookish woman to read a serious book.)
The essay is short; it’s only 2.1 pages long.
But here’s the thing.
It’s only about a dead moth and NOTHING else, not about a guy named Moth not even about a butterfly that looked like a moth. By the 2nd paragraph, I got bored and went on to read the interesting facts on my sandwich wrapper.
The class came and went but we never talked about Woolf’s work so the moth soon disappeared from my mind.
A couple of weeks later, however, I had to re-read it again since someone confessed to the professor of having not understanding it at all. Bastard.
That night, I took a second try at Woolf’s essay, forcing myself to read every single line and using my index finger to trail the words. You know, just in case I got lost again.
No dice. Time for a drastic measure. I got up and brewed myself a big cup of Joe, my first since… Damn, I can’t remember. Was it 2 years ago?
Third try. The moth was still a moth. You have got to be KIDDING ME!
No way was I going to devote a fifth read for Woolf if I didn’t even do a fifth pass on the Snuggie parody. No, I refuse to succumb to a moth! The fourth read must be the last.
I walked around the room to calm myself, gulped down another swig and took out the big gun: my bright blue sharpie pen. Not a wimpy pencil or a pathetic black ballpoint but bright blue ink that clings to the very pores of the paper.
In the name of literature, I proclaim this book un-refundable!
The technique is simple, taught to me by my father decades ago; I am to read each paragraph and underline its main point. If it worked for “Computing Cryptography 404″, it most certainly will work for “A Study of a Dead Moth 101″.

Really? What would a day-flying-moth be called then? (Yes I googled it)

I like this because I can visualize it. I imagine a tiny little black moth in my head, named Mothy.

I shall call this profound #1. I’m not sure why, but something so poetic must be important.

What’s this?! A twist in the plot! Something big has happened…

Continuing the investigation of the mysterious reason.

Aha! Now this makes perfect sense! I shall call this profound #2.
In conclusion: A moth was flying, then he was dying and then he died, so Woolf thought of profound #1 and she found the culprit to be profound #2. Many years later, thinking about the moth, she bought a mirror, looked at her reflection, finally saw the nose and committed suicide.
My bright blue sharpie pen has saved yet another day.



